kaph: (falcon)
 Because I throw up when I read about men who torture captured hawks and falcons, because I grieve the fifty species we lose every day with real tears, because every bloody deer and porcupine, red fox and grey fox, coyote, skunk, and grouse makes me question where we need to go and why we need to get there so damned fast, because I don’t want to lose the polar bears, because I name our factory farms “evil,”

I must be a misanthrope.


Because, dreaming, I invoke Anat and Kali, because I love women and their strength and endurance, because I love what they hope for fight for wait for love for, because I want no woman to bear a child out of guilt out of the desire to be a “real” woman out of a need to please anyone else, because I want Woman to mean Human as much as Man does,

I must be a man-hater.


Because I yearn to curl my body around unprotected children, because I want to take their bruises and broken bones, because I want to rescue my young self along with all the others, because I want the world to hear the stories of incest and all the subtle shadings of abuse,

I must hate adults.


Because I pray for justice in my homeland and justice in all lands, because I call and write my representatives to tell them we must not torture, we must not invade, we must not blockade the food and medicines, because I believe in reparations for slavery and genocide and concentration camps and reservations because I think we live in a racist society because I think maybe other places do it better,

I must be a terrorist.


Because I am angry, because I am not comfortable, because I grieve and rage, because I can’t get away – don’t want to get away – from the voices of the suffering,

I must be hysterical, a “pessimist,” a cynic, a Jeremiah.


But if I forget thee, O polar bears and ivory-billed woodpeckers, O you imprisoned and tortured millions; if I forget thee, O my sisters and children, you who struggle to trust to love to know pleasure to expect kindness; if I forget thee, O Iraq and Afghanistan, refugees and survivors, you who’ve been marginalized, betrayed by your country, whose suffering has been ignored rationalized made light of –
– then let my voice be silent and my right hand wither, if I do not remember thee, O my family.

__________________________________________________________________________________________

"We are a gentle, angry people, and we are singing, singing for our lives." - Holly Near
kaph: (Default)
My driver's test is tomorrow morning at 8.45. I'm psyched - looking forward to being "normal," glad I finally know how to parallel-park (it was so easy, I couldn't believe I'd feared doing it for so long.  And Tua's a great teacher!).

I've listened to "Recessional" on Vienna Teng's Dreaming Through the Noise album about 14 times.  It's haunting.  Does anyone else write such beautiful, haunting songs?

Her song "City Hall" was always pretty, has become poignant and sad since Proposition 8 was upheld.

Recessional:

"It's so beautiful here," she says,
"This moment now and this moment, now."
And I never thought I would find her here:
Flannel and satin, my four walls transformed.
But she's looking at me, straight to center,
No room at all for any other thought.

And I know I don't want this, oh, I swear I don't want this.
There's a reason not to want this but I forgot.

In the terminal she sleeps on my shoulder,
Hair falling forward, mouth all askew.
Fluorescent announcements beat their wings overhead:
"Passengers missing, we're looking for you."
And she dreams through the noise, her weight against me,
Face pressed into the corduroy grooves.

Maybe it means nothing, maybe it means nothing,
Maybe it means nothing, but I'm afraid to move.

And the words: they're everything and nothing.
I want to search for her in the offhand remarks.
Who are you, taking coffee, no sugar?
Who are you, echoing street signs?
Who are you, the stranger in the shell of a lover,
Dark curtains drawn by the passage of time?

Oh, words, like rain, how sweet the sound.
"Well anyway," she says, "I'll see you around..."


City Hall:

Me and my baby on a February holiday
'cause we got the news
Yeah, we got the news
500 miles and we're gonna make it all the way
We've got nothing to lose
We've got nothing to lose

It's been 10 years waiting
But it's better late than the never
We've been told before
We can't wait one minute more

Oh, me and my baby driving down
To a hilly seaside town in the rainfall
Oh, me and my baby stand in line
You've never seen a sight so fine
As the love that's gonna shine
At city hall

Me and my baby've been through
A lot of good and bad
Learned to kiss the sky
Made our mommas cry
I've seen a lot of friends
After giving it all they had
Lay down and die
Lay down and die

10 years into it
Here's our window
At the Vegas Drive-Thru Chapel
It ain't too much
For 'em all to handle

Oh, me and my baby driving down
To a hilly seaside town in the rainfall
Oh, me and my baby stand in line
You've never seen a sight so fine
As the love that's gonna shine
At city hall

Outside, they're handing out
Donuts and pizza pies
For the folks in pairs in the folding chairs
My baby's lookin' so damned pretty
With those anxious eyes
Rain-speckled hair
And my ring to wear

10 years waiting for this moment of fate
When we say the words and sign our names
If they take it away again someday
This beautiful thing won't change

Oh, me and my baby driving down
To a hilly seaside town in the rainfall
Oh, me and my baby stand in line
You've never seen a sight so fine
As the love that's gonna shine
At city hall

kaph: (goddess)
Had a good weekend after a bad week.  The bad - wacky hormones. The good - [profile] emusnareand fiance (we really need a better LJ name for her) came to visit.  We did late Christmas presents with the whole family, after a brunch at the Sugarhouse.  [profile] emusnareand financier gave me New World Symphonies and Moon Sun & All Things, two CDs of Baroque music from Latin America, which, with 1000-year-old church music, is becoming my favorite music genre.  There was, alas, no sledding, but as Tua said, there was a lot of game-playing and good food and drink.  And talk!

Now I'm working on the paper I'm submitting to SBL, and which I am very excited about!  I love having a job that feels like playing so much of the time!  And which, I believe, will help me do my part in tikkun olam.

This is my new cheesy icon.  It's Rhiannon, who (with Brigid) is one of my favorite goddesses.  Cheesy it may be, but it also has a topless goddess! 
kaph: (heroines)
Last night Tua's brother B. took the whole family and some friends to the Town Hall of Tunbridge to hear Scottish music - traditional and original - played by Old Blind Dog.  I had known nothing of the band, but left a CD-owning fan-for-life.  My one regret is that I still don't know how to dance, and this resolved me to get my damn driver's license and take lessons.

Tunbridge needs a ceilidh - a winter dance - complete with good Scottish music and lessons in rudimentary Scottish dances.  I plan on organizing one in the next couple of years.  It also needs a pub.   That will take a bit longer.

(The title of this post is a paraphase of Kathleen Norris's statement about Gregorian chant.)
kaph: (Default)

My friend A. just introduced me to her, and I'm addicted.  Just ordered two of her CD's.  Whoa.

kaph: (Default)
Tua took me to Burlington last night to see Andrew Bird.  Since I dislike surprises Tua asked me about it ahead of time; I told him afterwards that I'd drive up to three hours to see A.B. live anytime he wanted.  

The opening band, Plants and Animals, was simply awful.  My favorite part of their performance was when they repeated the phrase "on that day" several times, and I whispered to Tua that the song sounded vaguely apocalyptic.  He raised his eyebrows, so I told him "on that day" is a common introductory an concluding formula in pocalyptic literature; it's all over the book of Joel.  Sure enough, in a few moments they were singing about asking the Lord to hide them "on that day," and the Lord told them they could "go to the devil on that day."  I agree with the Lord on that one.

Andrew Bird was fantastic, as expected.  He was all over the stage with his violin, guitar, glockenspiel, etc., and of course he whistled, clapped, and sang.  His voice is even more Jeff Buckley-esque live than on his (studio) albums.  Also, I have to say I didn't know it was possible to sing with full voice while playing the violin, but evidently it is.  By the end of the concert the hairs in his bow were falling out; it looked like the bow had frayed.  I won't attempt to describe his music; check out his website and listen to stuff there.

If his music isn't enough to win you over, he has a random link to Grist on his website.

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kaph: (Default)
kaph

August 2012

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